Before Marpa House…

Before Marpa House…

The history of our building and grounds before it became Marpa House

Marpa House/Kham Tibetan House has a fascinating history, long before its current incarnation as the first Tibetan Buddhist Retreat centre in England.

Rinpoche was assisted in its initial founding and search for a suitable property by several kind students before what was then called ‘All Saints’ Home’ emerged as a potential location for Rinpoche’s centre.

The property was built in 1890 and has a very positive history, both in the building and the gardens, as ‘All Saints’ Home’ was a refuge for homeless children (mainly from London) for 83 years, from its inception by Dr Henry Swete. In fact, ‘Rectory Lane’ is still known by some locals as ‘Home Boys Lane’.

In the late nineteenth century, Dr Henry Swete, as the Lord of Ashdon Rectory Manor, was a very influential figure. He decided to provide a thatched cottage rent-free to the ‘Church of England Society for Providing Homes for Waifs and Strays’. At that time, many orphans were surviving on the streets in the big cities of England, notably in London.

Dr Swete paid half the cost of furnishing that cottage (now a private home). In 1885, the first group of boys arrived from London.  At first, there were six children; then, three more followed quickly to fill the house. Each boy had a mall garden and attended the village school.

The original cottage, however, was in poor condition; so Dr Swete soon decided to build a new house for 12 children close to his Rectory and on land rented from Gonville and Caius College, Cambridge. The new Home was opened on St Michael and All Angels’ Day in 1890 (29th September). After a service at the parish church, the clergy and congregation formed a procession led by a cross-bearer. They made their way to the Home, where Swete conducted a Benediction Service (a type of blessing).

A local committee ran All Saints’ Home, and one of the most prominent early members of the committee was Mrs Brocklebank of Bartlow Hall. Bartlow is a village close by.

The first matron was Annie Wallis; her successor was Ellen Whitehead, who became matron in 1895 and remained in the position for 37 years, playing a significant part in the home’s history.

Problems with the water supply meant that the Home depended upon a nearby well. When this ran dry, water had to be carried up the steep hill from the village. This continued for 48 years, until a mains supply was eventually installed in 1938, the same year that the house was extended to accommodate more boys. The Home closed in 1961 for renovations and didn’t reopen until 1964. It finally closed in 1972.

From its dedication in 1890 until 1972, the house served as a refuge for boys aged 8 to 13. They came from diverse cultural backgrounds, and a few of the former residents have returned to revisit the house and grounds.

Further visits by original residents are welcome by appointment. Please get in touch with the Secretary at mail@marpahouse.org.uk

Paintings on the wall

Around the walls of the original playroom in All Saints’ Home were hand-painted murals of local animals and people. Having been decorated over, they were lost for years.  However, they were uncovered during renovations and redecoration of the shrine room at Marpa House, and some of the beautiful and unique paintings are shown here.

There is a small boy riding on a very large and striking horse called ‘Punch’, a man walking a harnessed working horse, and two pictures of dogs – one a domestic dog, and the other a hound.

All photographs are by courtesy of the late Mr. John Double, resident of Ashdon, and a former member of the All Saints’ Home committee.

The Fullness of Emptiness 

The Fullness of Emptiness 

Emptiness is such a key word in Buddhist teachings (especially in the Heart Sutra, [“form is empty, yet emptiness has no form”]) and yet, so often when it is mentioned we are also told that it is not void at all but has very important positive aspects. How can we understand that?

To me, the key point seems to be that there is something beyond the phenomena we can perceive with our ordinary sense perceptions, and that – when we settle our mind in stillness – we have the chance of being aware of something quite wonderful, something that is very uplifting but also very difficult to describe with the words we have at our disposal. It is not surprising therefore that quite a number of different terms are used in this context; “unborn clear light”, “luminosity”, “primordial essence”, “innate supreme essence”, “vivid awareness” and “Buddha-nature” all seem to point in the same direction.

So why is it called “emptiness”? Nagarjuna (c. 200 CE) is credited with transforming the sutras’ poetic and sometimes paradoxical declarations on emptiness (“form is emptiness and emptiness is form”) into a philosophical system.

When he uses the word “emptiness” it is not to refer to the absence of existence but to the absence of intrinsic existence and, by implication, to the true or ultimate nature of reality. He stated this primarily to refute the idea – especially held by followers of the Sarvastivada School – that phenomena, the things we can perceive with our ordinary senses, have an intrinsic existence.

This was further amplified by Vasubandhu (around 400 CE), of the Yogachara school, who equated Buddha-nature with both emptiness and nirvana.

There are also some fascinating references to the ultimate nature of reality in the Upanishads, which I find very uplifting. (The terms used here are: the Spirit, the Essence, the Truth, God and – in the personified form – Brahman).

As Buddhists we may shy away from reading these Hindu scriptures, but it is worth remembering that these writings contain the distilled wisdom of thousands of years and essentially reflect the cultural/spiritual background the Buddha was born into. The Svetasvatara Upanishad in particular was written down about the time of the Buddha and contains some striking parallels to the Heart Sutra (“When ignorance is dispelled, there is neither day nor night, neither being nor non-being.”).

Here is a very short excerpt: “The Essence is in everything, from the smallest to the largest. The Spirit’s infinity is beyond what is great or small and its radiance illumines all creation. It is beyond form and beyond pain, and those who have seen the Truth of the Spirit are one with it, their life is fulfilled, and they are ever beyond sorrow.” (Quoted from a translation by Juan Mascaró, 1965).

Hartwin Busch © 2024

The Statues

The Statues

Filling the Statues in the Marpa House shrine room

During the Filling of the Statues, I was asked why we do the filling. So I went to see if I could find a book which might say something about it. I looked for Robert Beer’s book on Tibetan symbols, but couldn’t find it. Instead, I found ‘Buddhist Symbols in Tibetan Culture’ by Dagyab Rinpoche, Wisdom Publications, 1995.

In this book, he describes the Seven Jewels of Royal Power, which are offered in mandala offerings. They are the Precious Wheel, The Precious Jewel, the Precious Queen, the Precious Minister, the Precious Elephant, The Precious Horse and the Precious General. The last one, the Precious General, is replaced by the Precious Householder in some lists. The quality of the Precious Householder is to possess such wealth that disagreeable places are completely filled with jewels and other precious things, unasked. And, the wealth of the Precious Householder is inexhaustible. All the people are fond of such a person, who does not harm others.

From their beautiful exteriors, you might not think that the insides of the statues could in any way be disagreeable. However, in fact, they need to be cleaned before filling to remove bits left over from their casting. Then they are lined with bright, golden-yellow cloth before the precious substances are placed inside them.

Dagyab Rinpoche says that the qualities of all the symbols he describes are to be transferred to the spiritual plane. So, maybe filling the statues can be taken as an inspiration to fill our disagreeable places with spiritual jewels, and to practice unlimited generosity; we may not have unlimited wealth, but we can have the unlimited wish to give. He also encourages his readers to keep in mind the ultimate view of reality, so while filling statues we should remember that the precious substances, the filling process, and we ourselves, are all empty of inherent existence. This lessens our attachment to precious things.

Brian Richardson © 2024