Celebrating Losar 2025

Celebrating Losar 2025

Losar Tashi Delek!

The Saturday celebration was a chance for those of us who hadn’t been at Marpa House during the week to celebrate the new year. A week of Mahakala pujas & torma making culminating in the year of the wood snake on Friday, February 28th.

The house was humming with welcoming, flowers, plating & arranging offerings. Hasty greetings, hasty cups of tea. Kataks were placed thoughtfully by the shrine room door.

Once in the shrine room, we presented our kataks with Lama Alastair standing by. Rinpoche’s beautiful New Year’s poem had touched all our hearts and ‘Calling the lama from afar’ was truly heartfelt. It was such a happy occasion to be singing alongside friends, and apparently, from the depths of the kitchen, it had sounded particularly harmonious. A short meditation, prayers for Rinpoche’s long life and good health, then dedications. We were reminded of the preparations leading up to this occasion and thanks followed to all who had worked so hard to make the week possible. Thanks especially to Lama Alasdair for his calm presence as always & for sharing his knowledge & skills so patiently.

Lama Alasdair ran through what the new year represented – a fresh start, a clean slate. The past is gone, and we can’t do anything about it, but we can do something about the future. Let go of any new mistakes. The bonfire ritual was explained with grains of rice representing negativity which we then throw on the fire with the words Ki Ki So So Lha Gyalo! preceded by three long ohh.. ahh..ohhs.

Waiting around the well-behaved bonfire, there was a slight pause and we became aware of our grains of negativity beginning to burn holes in our hands. We duly chanted, threw our rice and watched the bonfire burn. In the spring sunshine a short speech to wish Myrto well as she returns to live in Greece. Then the thought of tea and time to head back to the house for a brilliant feast. The fire then beckoned us back so tea round the bonfire it was.

Time to sit in the sun with the snowdrops – memories of Tenzin – chat & catch up. We talked, laughed, relaxed and had fun. We missed the people who used to be here and watched the fire slowly burn. We saw animal shapes in the glowing embers. As the fire turned a deep shade of orange, the embers blackened, and the ash turned white. When the sun went down, it suddenly got cold. Back to the house and home. Hugs, kisses, thank yous & goodbyes. A sneaky bit more cake then more waves and goodbyes.

In the breath of an afternoon, cobwebs had been blown away, spirits lifted, and purpose strengthened. We felt happy, positive & lighter. As we left, a spectacularly red sunset glowed right across the sky, the colour reminiscent of a Tibetan robe.

Susan Mumford © 2025

The Statues

The Statues

Filling the Statues in the Marpa House shrine room

During the Filling of the Statues, I was asked why we do the filling. So I went to see if I could find a book which might say something about it. I looked for Robert Beer’s book on Tibetan symbols, but couldn’t find it. Instead, I found ‘Buddhist Symbols in Tibetan Culture’ by Dagyab Rinpoche, Wisdom Publications, 1995.

In this book, he describes the Seven Jewels of Royal Power, which are offered in mandala offerings. They are the Precious Wheel, The Precious Jewel, the Precious Queen, the Precious Minister, the Precious Elephant, The Precious Horse and the Precious General. The last one, the Precious General, is replaced by the Precious Householder in some lists. The quality of the Precious Householder is to possess such wealth that disagreeable places are completely filled with jewels and other precious things, unasked. And, the wealth of the Precious Householder is inexhaustible. All the people are fond of such a person, who does not harm others.

From their beautiful exteriors, you might not think that the insides of the statues could in any way be disagreeable. However, in fact, they need to be cleaned before filling to remove bits left over from their casting. Then they are lined with bright, golden-yellow cloth before the precious substances are placed inside them.

Dagyab Rinpoche says that the qualities of all the symbols he describes are to be transferred to the spiritual plane. So, maybe filling the statues can be taken as an inspiration to fill our disagreeable places with spiritual jewels, and to practice unlimited generosity; we may not have unlimited wealth, but we can have the unlimited wish to give. He also encourages his readers to keep in mind the ultimate view of reality, so while filling statues we should remember that the precious substances, the filling process, and we ourselves, are all empty of inherent existence. This lessens our attachment to precious things.

Brian Richardson © 2024